Showing posts with label The Wu-Tang Clan. Show all posts
Showing posts with label The Wu-Tang Clan. Show all posts

Saturday, August 31, 2013

This Might Be How The Whole "I'm Ghost" Thing Started


It begins like we're into your typical witch or werewolf story:
"Within the Anthroposophical Society, I was a member of the School of Spiritual Science — that is to say, I was included in the special category of Anthroposophists having access to higher occult truths that are withheld from regular members of the Anthroposophical Society. I participated in esoteric lessons, which is to say I participated in the secret cult of the School of Spiritual Science. This cult also held meetings even within the school premises of Steiner Verrières-le-Buisson. 
Today, with hindsight, it is clear to me that what led me to become an active and prominent member of this sectarian organization began with my enrollment in a Waldorf school at the age of nine years. The rest of my course in life was only the logical result of the indoctrination I had been subjected to. 
I. An Insidious Indoctrination 
1. Hiding Anthroposophy in the Subjects Taught   
Based on my experience as a former student, a teacher at my old school, and an Anthroposophist, I would like to describe the subtlety of indoctrination that students in Waldorf schools are subjected to. In fact, its chief characteristic is its nonidentifiable form,..."

Oooh - See the problem?



If only the "chief characteristic" coulda been it's obvious educational abilities and attributes

Mighta beena winna for the GZA or the RZA to promote.


As it stands, tonight, I'm gonna go howl hippie anthems at the Moon:

"So close - so close, and yet so faaaar,..."
 

Thursday, August 29, 2013

Self-Serving? (Why, If That's The Case, I'll Take Two) III


This piece on Dave Chappelle sounds so familiar to TMR it almost physically hurts to read it:
Theories for why he quit abound. Some say he had a mental breakdown, others presume he suffered from being “the one righteous man in a world of corruption”, as Jason Zinoman, a comedy critic for the New York Times, writes in his e-book “Searching for Dave Chappelle”. Though Mr Chappelle has never fully explained his reasons for leaving, in interviews he has said that he worried his comedy was becoming socially irresponsible. He mentioned hearing a white TV-crew member laugh during the filming of a sketch in a way that made him uncomfortable. 
Race is an important theme in his work. When Mr Chappelle first started out, playing to racially mixed audiences in Washington, DC’s largely segregated comedy scene in the 1980s, he caught flak for “not being black enough” (a concern over racial fidelity that white artists never have to face). His TV show dealt with race frankly and often surreally: one sketch concerned a blind white supremacist who did not know he was black; another featured a “racial draft”, in which American ethnic groups “drafted” biracial or culturally hybrid celebrities (the Jews took Lenny Kravitz; the blacks took Tiger Woods; the Asians got the Wu-Tang Clan). In Austin a particularly funny (and unprintable) bit involved him hiring as his personal chef Paula Deen, a white Southern cookbook author who was recently fired from the Food Network for using racial slurs. 
It is not clear what is next for Mr Chappelle when this American tour ends in late September. Despite his long absence, he seems at home on stage. If there were fewer roll-on-the-ground laughs than the audience may have expected, there was also the sense that a restless innovator is pushing the bounds of his art.

Yep - I know the feeling: 

That's just what some of us do,...