No, really, they're very good at it,...
A healthy culture transmits values. When it stops doing that, it dies. When the values no longer seem to be applicable, than the culture hunts around for new values, it undergoes a period of confusion while its forward motion slows down. That is where Japan is now. It's where America has arrived.
The values of the left, that are present in both Japan and America, are a cultural suicide pact. The left pretends to add a spiritual dimension to modernism. It has been peddling that lie for two centuries and it has yet to deliver. In countries where it wielded full control, there was neither modernism nor values. Russia destroyed the economic, technological and spiritual potential of generations of its people. China is trying to use Communist values to avoid turning into another Japan, not realizing that those are little better than the collective obligations with which Japan rushed into the future.
As America gazes at the ruins of Detroit and the insanity spewed forth by a digital frontier that increasingly looks every bit as eccentric and toxic as anything coming out of Japan, it is all too clear that we are Japan. There is no unique insanity in East, only a common disintegration of values in the East and the West.
Asia and Europe have both witnessed the rise and fall of civilizations. It isn't technology that destroys technology that destroys civilizations, but a lack of values.
To understand where Japan and Europe are, imagine an America decaying with no new ideas, losing its religion and values, losing its economy and finally its sanity, becoming coldly conformist and inhuman, while its families fall apart and its youth retreats into their own makeshift worlds. That reality is closer to home than we might like to think.
America is destroying its values on an industrial scale. In a post-industrial nation, the destruction of values has become one of its chief industries. And while there is value in challenging values, in the conflict and clash of ideas, that requires that values go on existing, or there is no longer anything to challenge. And then there is nothing left but emptiness and madness.
Another stupid product from an infomercial. Another ridiculous politician. Another protest. Another indicator of economic decline. Another day, week, month, year of empty nothingness.
Pop is suffering from the same malady as the art world, which is stuck on the tired old rubric that shock automatically confers value. But those once powerful avant-garde gestures have lost their relevance in our diffuse and technology-saturated era, when there is no longer an ossified high-culture establishment to rebel against. On the contrary, the fine arts are alarmingly distant or marginal to most young people today.
Unfortunately, the media spotlight so cheaply won by Cyrus will inevitably spur repeats of her silly stunt, by her and others. Image and profile now rule the music industry. At a time when profits are coming far more from touring than from CD sales, performers are being hammered too early into a marketable formula for cavernous sports venues. With their massive computerized lighting and special-effects systems, arena shows make improvisation impossible and stifle the natural rapport with the audience that performers once had in vaudeville houses and jazz clubs. There is neither time nor space to develop emotional depth or creative skills.
Pop is an artistic tradition that deserves as much respect as any other. Its lineage stretches back to 17th century Appalachian folk songs and African-American blues, all of which can still be heard vibrating in the lyrics and chord structure of contemporary music. But our most visible young performers, consumed with packaging and attitude, seem to have little sense of that thrilling continuity and therefore no confidence in how it can define and sustain their artistic identities over the course of a career.
"One wonders how much stronger a position the music industry would be in right now, if it had paid as much attention to developing great artists as it did to the supposed scourge of file-sharing."
I think that hard news reporting is a great social good. But as the Internet has unbundled news, it has become clear that this isn't a social good for which many people are willing to pay. Reporters who thought that political and international news reporters, plus a few people who write long reported series about poverty and related “serious” subjects, constituted the apex of their profession, have been humbled to learn that readers considered us a moderately interesting freebie to thumb through on the way to the important stuff in the sports section.
“Tech wealth drives wedge between San Franciscans...”