Poor Ann Althouse, the pebble in that empty head never stops rattling:
Come ON - After all the feminist bullshit she's started?
I know a coward's set-up when I see one,...
Courage requires us to remain steadfast in our beliefs. It asks that we stand by the convictions we express and never give an inch, no matter what the cost. However off base, wrongheaded, or patently false a position we’ve staked out may be, courage nonetheless demands that we blindly pound home our stupid fucking point, never letting up.True valor is the moment in a conversation when you realize that what you’re saying is completely and utterly wrong, but you continue to say it over and over again anyway, only louder.Suppose you’re discussing current events with a group of friends, one of whom politely challenges an assertion you’ve made about a particular issue. In such congenial gatherings, it can be tempting to back down, especially when someone has just put forth evidence that soundly debunks everything you’ve been saying. The courageous path takes more discipline. It means looking that friend in the eye and—though you know full well that you are totally wrong—saying, “No, I’m right.”The same dilemma applies when you’re arguing with someone who obviously has far more information about a subject than you do. Basically, you have two choices: You can admit that you are out of your depth and that your lack of knowledge led you to the incorrect conclusion. Or you can dig in your heels, grit your teeth, and defend your misguided, uninformed opinion with every fiber of your being—even to the point of hysteria.What is the measure of bravery? I think part of it has to do with how firmly we stand our ground when we have absolutely no fucking clue what we’re talking about.
The most significant harm produced by Obama’s deal with Russia is loss of American credibility,…I believe, however, that the most serious and enduring loss to American credibility stems not from President Obama’s actions or decisions, but from the unwillingness of Congress and the American people to support him when he proposed taking military action against Assad.
Pop is suffering from the same malady as the art world, which is stuck on the tired old rubric that shock automatically confers value. But those once powerful avant-garde gestures have lost their relevance in our diffuse and technology-saturated era, when there is no longer an ossified high-culture establishment to rebel against. On the contrary, the fine arts are alarmingly distant or marginal to most young people today.
Unfortunately, the media spotlight so cheaply won by Cyrus will inevitably spur repeats of her silly stunt, by her and others. Image and profile now rule the music industry. At a time when profits are coming far more from touring than from CD sales, performers are being hammered too early into a marketable formula for cavernous sports venues. With their massive computerized lighting and special-effects systems, arena shows make improvisation impossible and stifle the natural rapport with the audience that performers once had in vaudeville houses and jazz clubs. There is neither time nor space to develop emotional depth or creative skills.
Pop is an artistic tradition that deserves as much respect as any other. Its lineage stretches back to 17th century Appalachian folk songs and African-American blues, all of which can still be heard vibrating in the lyrics and chord structure of contemporary music. But our most visible young performers, consumed with packaging and attitude, seem to have little sense of that thrilling continuity and therefore no confidence in how it can define and sustain their artistic identities over the course of a career.